The first photographs were black and white, that is, in grayscale, as early film could not reproduce colors. Even after color film was available black and white Columbia SC photography still dominated the market, partly because it was cheaper and required less equipment. Black/white film was also easier to develop as it was in fewer steps in the process. In the late 1900s, however, the film has taken over the market.
In 1981 however, the company unveiled a Sony camera without film, a CCD (Charge-Coupled Decive), which, showed images on TV and was not fully digital, even if it saved images to disk. In 1990 Kodak DCS 100, the first commercially available digital camera. It took until the early 1900s, before film could take up more than very limited colors. It was thanks to photo chemists such as Hermann Wilhelm Vogel, whose emulsion with sufficient sensitivity to green and red light became available.
Different color films developed from 1907 by the Lumiere brothers who built the autochrome method and the principle of additive color mixing. During the mid 1930s, various film companies such as Agfa and Kodak came up with new solutions that give finer grain and faster exposure times.
The 1900s witnessed the biggest innovations involving 35mm film with the numeral 135, as well as digital photos. Today, we can divide the cameras into the following classes: (which tend to be digital), medium and large format cameras. Other classes such as box camera are heavily marginalized. Early in the history of photographic images techniques were developed to manipulate photographs, both directly in front of one's camera or with double exposure.
Because images are associated with the truth (the camera does not lie) - digital photos caused many ethical questions. Many photojournalists have expressed that they will not combine elements from different photos and claiming that they are real photographs. Therefore, several courts have stated that they do not accept digital images as evidence because they are easy to forge.
Many artists believe that picture making is a mechanical reproduction of an image, and that it may not fit into the definition of art. If photographs are art, then you have to define what makes it beautiful to the viewer. Still life - pictures of everyday things. Illustration pictures: photos taken to illustrate a story or idea in a magazine, newspaper or book. Such images are determined by the editors or the publisher.
Photojournalism: possibly a subgroup of illustration images. Photos are accepted here as a documentation of a news event or sporting event. Portrait and wedding photography: photographs taken and sold directly to an end user. Fine Art images: photographs taken according to a vision, reproduced and then sold. Landscape and aerial photos: photographs taken, for example, for marketing purposes.
One of the most protruding forms of photographs is photomontage, where multiple photos assembled or otherwise processed, either physically or by any image editing program. Such assembly is available in two main types: collage. Failed photographs come in many types, such as photos, without focus, with error pruning, with an unexpected object in front of the camera and the object that looks different in reality.
In 1981 however, the company unveiled a Sony camera without film, a CCD (Charge-Coupled Decive), which, showed images on TV and was not fully digital, even if it saved images to disk. In 1990 Kodak DCS 100, the first commercially available digital camera. It took until the early 1900s, before film could take up more than very limited colors. It was thanks to photo chemists such as Hermann Wilhelm Vogel, whose emulsion with sufficient sensitivity to green and red light became available.
Different color films developed from 1907 by the Lumiere brothers who built the autochrome method and the principle of additive color mixing. During the mid 1930s, various film companies such as Agfa and Kodak came up with new solutions that give finer grain and faster exposure times.
The 1900s witnessed the biggest innovations involving 35mm film with the numeral 135, as well as digital photos. Today, we can divide the cameras into the following classes: (which tend to be digital), medium and large format cameras. Other classes such as box camera are heavily marginalized. Early in the history of photographic images techniques were developed to manipulate photographs, both directly in front of one's camera or with double exposure.
Because images are associated with the truth (the camera does not lie) - digital photos caused many ethical questions. Many photojournalists have expressed that they will not combine elements from different photos and claiming that they are real photographs. Therefore, several courts have stated that they do not accept digital images as evidence because they are easy to forge.
Many artists believe that picture making is a mechanical reproduction of an image, and that it may not fit into the definition of art. If photographs are art, then you have to define what makes it beautiful to the viewer. Still life - pictures of everyday things. Illustration pictures: photos taken to illustrate a story or idea in a magazine, newspaper or book. Such images are determined by the editors or the publisher.
Photojournalism: possibly a subgroup of illustration images. Photos are accepted here as a documentation of a news event or sporting event. Portrait and wedding photography: photographs taken and sold directly to an end user. Fine Art images: photographs taken according to a vision, reproduced and then sold. Landscape and aerial photos: photographs taken, for example, for marketing purposes.
One of the most protruding forms of photographs is photomontage, where multiple photos assembled or otherwise processed, either physically or by any image editing program. Such assembly is available in two main types: collage. Failed photographs come in many types, such as photos, without focus, with error pruning, with an unexpected object in front of the camera and the object that looks different in reality.
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