A lot of people dream of making their own films. With the technology involved becoming a lot cheaper it is now a lot easier for people to create their own work. The ease of access is countered by the fact that there is more material out there and available to view on a range of websites. This is why it is more important than ever for student filmmakers to work on the basics of developing both their skills and their careers.
The good thing is that the tools needed to make films are now much less expensive and far more accessible than in recent years. Whereas people would previously have to buy a lot of expensive film and rent unwieldy video cameras nowadays people can use relatively cheap cameras and shoot digitally. Furthermore it is a lot easier to view and watch footage so you can avoid wasting time reshooting scenes that do not need to be reshot.
Whether you are an actor, a scriptwriter, a director or all of the above making your own passion project it is vital that you watch films. It may sound obvious but you need to look at how a scene is effective or why an actor, director or writer makes certain choices. There is often the theory that this leads to people becoming disillusioned as bad films make would be filmmakers despair due to their existence while the good ones make them think they could never produce anything as good.
The truth is that the best directors are often passionate about film themselves. A good example was the French New Wave of the Sixties. Influential directors such as Jean Luc Goddard learned their craft by studying and critiquing other filmmakers before then using that knowledge to apply it to their own movies to create a distinct visual language that took those influences and created something new.
Ironically this would happen again in the Nineties when Quentin Tarantino would take the style of the French New Wave and fuse it with other influences to form his postmodern deconstruction of classic genres. This was often attributed to his days as a video library clerk. It was here that he was said to gain his now legendary obsession with a wide array of films.
It should be stated that not all students long to be Tarantino. Equally there are some who simply wish to work in film. The crucial thing for students in this case is to find extra work, runner work and anything else that allows them to develop experience.
This is crucial because theory alone is not enough. While it is important to study hard you have to think about what you do between semesters. Building up experience and working on your projects will give you a showreel that can then allow you to get more work.
In simple terms being student filmmakers does not begin and end with the course you work on. It is worth looking online to find various accredited local courses as well as more information about who runs them and how much is theory and practise. This will allow you to find the ideal school to help you develop your skills and prepare you when it comes to creating your own masterpieces.
The good thing is that the tools needed to make films are now much less expensive and far more accessible than in recent years. Whereas people would previously have to buy a lot of expensive film and rent unwieldy video cameras nowadays people can use relatively cheap cameras and shoot digitally. Furthermore it is a lot easier to view and watch footage so you can avoid wasting time reshooting scenes that do not need to be reshot.
Whether you are an actor, a scriptwriter, a director or all of the above making your own passion project it is vital that you watch films. It may sound obvious but you need to look at how a scene is effective or why an actor, director or writer makes certain choices. There is often the theory that this leads to people becoming disillusioned as bad films make would be filmmakers despair due to their existence while the good ones make them think they could never produce anything as good.
The truth is that the best directors are often passionate about film themselves. A good example was the French New Wave of the Sixties. Influential directors such as Jean Luc Goddard learned their craft by studying and critiquing other filmmakers before then using that knowledge to apply it to their own movies to create a distinct visual language that took those influences and created something new.
Ironically this would happen again in the Nineties when Quentin Tarantino would take the style of the French New Wave and fuse it with other influences to form his postmodern deconstruction of classic genres. This was often attributed to his days as a video library clerk. It was here that he was said to gain his now legendary obsession with a wide array of films.
It should be stated that not all students long to be Tarantino. Equally there are some who simply wish to work in film. The crucial thing for students in this case is to find extra work, runner work and anything else that allows them to develop experience.
This is crucial because theory alone is not enough. While it is important to study hard you have to think about what you do between semesters. Building up experience and working on your projects will give you a showreel that can then allow you to get more work.
In simple terms being student filmmakers does not begin and end with the course you work on. It is worth looking online to find various accredited local courses as well as more information about who runs them and how much is theory and practise. This will allow you to find the ideal school to help you develop your skills and prepare you when it comes to creating your own masterpieces.
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