The sculptures is one of fine arts. Unlike paint, which creates a plan -a fictional space of two dimensions-, sculptures does a flat or three-dimensional relief exempt, using real space. The sculptor acts on different materials transformed by carving and modeling processes, which are traditional methods (aluminum wall sculpture).
Archaic statue was primarily religious. The temples are decorated with images of gods, their exploits and battles, and the figures were unrealistic. The Korai Kouros or are portraits of real people; put a smile on the faces were fictitious, facial gesture known in art world as "archaic smile." From this period include the Chief Dipilo, fragment of a colossal marble statue of sixth century BC, and the Head of ramps (c. 560 BC) later work presents a treatment closer to naturalism.
The sculptures was initially a single function, immediate use; function was added later ritual, magical or religious funeral. This feature was changing with the historical evolution, acquiring primarily aesthetic purposes or simply ornamental and can become just as something ephemeral or lasting.
The first manifestations sculptures dating back to Paleolithic, when the man cut all the flint percudint it against another stone; subsequently used engraving and stone relief and animal bones. 27,000 and 32,000 years ago are represented in a lush female stone human figures, in exaltation fertility; are the "prehistoric Venus" as the Venus of Willendorf and the Venus of Lespugue. During the Magdalenian period were used sticks and boosters with ornamental motifs. In Upper Paleolithic, the examples are more abundant carvings or engravings objects that evolved from a more primitive stage, decorations schematic, reaching figures representing adapted to structure of bone .
The clay was also a common material. The first known sculptures are from Egypt, China, India and the Middle East, places where none existed since 4000 BC kilns for pottery making objects. One of most important advances in history of sculptures was the ability to work the metal -first bronze and then iron workers which was used to make tools more efficient, and also get a new material make sculptures.
One type sculptures that took place, however, were portraits, realistic works with a distinctly psychological that were made throughout the Roman Empire. The most important sculptures of Byzantine Empire are the work of ornamental capitals; There are good examples of Ravenna San Vidal. Were common in ivory reliefs applied to boxes, leaflets or famous Chair ofBishop Maximilian, cut a piece about the year 550.
The decoration of all their belongings, swords, shields, tiaras and brooches you can understand the reasons for animals, plants and human figures. From the first century BC minted coins following the Hellenic models, as well as figurative works Bouray of God, made in embossed copper plate. In Mesopotamia, due to scarcity of stone, the sculptures was made primarily with clay; excavations at Ur (4000 BC) have been numerous small statues of this material. The Sumerians developed and spread to other civilizations use of brick, which then sculpted and enameled relief. Some good examples are representative that adorn palaces and burial surfaces Persian palace of Persepolis and the Frieze of Archers, glazed brick work that is in Royal Palace of Susa (404-359 BC).
In ancient Egypt used more durable materials, such as stone. The Egyptians came to realize highly sophisticated sculptures that remained unchanged for many centuries. It represented gods, pharaohs and other important characters; also performed, but small pieces of figures which were reflected in domestic work. Many of these works have been found in burial chambers.
Archaic statue was primarily religious. The temples are decorated with images of gods, their exploits and battles, and the figures were unrealistic. The Korai Kouros or are portraits of real people; put a smile on the faces were fictitious, facial gesture known in art world as "archaic smile." From this period include the Chief Dipilo, fragment of a colossal marble statue of sixth century BC, and the Head of ramps (c. 560 BC) later work presents a treatment closer to naturalism.
The sculptures was initially a single function, immediate use; function was added later ritual, magical or religious funeral. This feature was changing with the historical evolution, acquiring primarily aesthetic purposes or simply ornamental and can become just as something ephemeral or lasting.
The first manifestations sculptures dating back to Paleolithic, when the man cut all the flint percudint it against another stone; subsequently used engraving and stone relief and animal bones. 27,000 and 32,000 years ago are represented in a lush female stone human figures, in exaltation fertility; are the "prehistoric Venus" as the Venus of Willendorf and the Venus of Lespugue. During the Magdalenian period were used sticks and boosters with ornamental motifs. In Upper Paleolithic, the examples are more abundant carvings or engravings objects that evolved from a more primitive stage, decorations schematic, reaching figures representing adapted to structure of bone .
The clay was also a common material. The first known sculptures are from Egypt, China, India and the Middle East, places where none existed since 4000 BC kilns for pottery making objects. One of most important advances in history of sculptures was the ability to work the metal -first bronze and then iron workers which was used to make tools more efficient, and also get a new material make sculptures.
One type sculptures that took place, however, were portraits, realistic works with a distinctly psychological that were made throughout the Roman Empire. The most important sculptures of Byzantine Empire are the work of ornamental capitals; There are good examples of Ravenna San Vidal. Were common in ivory reliefs applied to boxes, leaflets or famous Chair ofBishop Maximilian, cut a piece about the year 550.
The decoration of all their belongings, swords, shields, tiaras and brooches you can understand the reasons for animals, plants and human figures. From the first century BC minted coins following the Hellenic models, as well as figurative works Bouray of God, made in embossed copper plate. In Mesopotamia, due to scarcity of stone, the sculptures was made primarily with clay; excavations at Ur (4000 BC) have been numerous small statues of this material. The Sumerians developed and spread to other civilizations use of brick, which then sculpted and enameled relief. Some good examples are representative that adorn palaces and burial surfaces Persian palace of Persepolis and the Frieze of Archers, glazed brick work that is in Royal Palace of Susa (404-359 BC).
In ancient Egypt used more durable materials, such as stone. The Egyptians came to realize highly sophisticated sculptures that remained unchanged for many centuries. It represented gods, pharaohs and other important characters; also performed, but small pieces of figures which were reflected in domestic work. Many of these works have been found in burial chambers.
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