Sunday, May 13, 2012

Most Actors Focus on Feelings and Emulation - Acting Classes in NYC

By Maggie Flanigan


By studying the Meisner Technique, actors have a chance to explore the concept of the actors instrument. The instrument analogy can be helpful when breaking down all the various aspects that can determine how good an actor is. Audience members are quick to determine whether actors are portraying a new reality well enough to hold their attention. But, can we pinpoint what makes us feel that way? If this is the case, it is likely that the actors instrument is just not well developed.

The actors instrument is comprised of six different elements, all important. They are: physical expression, emotional expression, imagination, sensory expression, intelligence and empathy. Mastering the craft of acting with the Meisner Technique requires that all six aspects of the instrument are well developed. It is easy even for non actors to identify professional actors who have mastered the different aspects of their "instrument." Legendary actors are those that have mastered all six.

For example, an actor like Stallone is known mainly for his physical expression and presence. While this does not mean the Stallone cannot express a character emotionally, he is general know for his physical expression, which is the most powerful of his acting tools. As an actor he expresses emotional in a very physical, often external way. Actors must focus and learn about all the aspects of the acting instrument, which will help them be diverse and capable of many types of roles.

Emotional expression is the most common aspect of the instrument that actors are focused on. Thinking deeply about how a character feels about something and trying to emulate it is a very common thing for up and coming actors to try and master. One one hand, it is short sighted to place too much emphasis on this particular aspect of the actors instrument, however, emotional expression is certainly a key aspect. Each of the six aspects need to be studied and mastered so that they can all work together.

Of course, it is meaningful emotional expression that draws people into any character or story. Emotional expression is they way that the internal aspects of a character's conflicts, needs, and feelings are expressed. It is common in classes teaching Meisner acting in nyc to create an emotional history of a character, imagine it in detail and then use all the aspects of the instrument to express them. In Meisner acting students study emotions diligently, their own and those of others. They in fact, build a library of emotions and reactions and methods for communicating them. When a specific character needs to be presented, these then delve more deeply and specifically into imagining (another aspect of the instrument) what the character's emotions feel like. They create and live the emotional life that the character would live so that it is instilled in them and can be called upon at will.

Vulnerability, for example is an expression of the emotion of insecurity. It's one thing for an actor to understand that and work with it. If the actor has also worked hard to develop other aspects of the instrument, such as imagination, sensory expression and intelligence, the complexity of emotions will be there. A single tear, without words can accomplish this, but how about a sense of vulnerability shown while one is smashing a clock to pieces? These are very nuanced yet, essential things to study.

One common myth is that acting is pretending to have certain emotions. However, acting is not simply reciting words using certain inflections and gestures to communicate emotions. Sanford Meisner was often heard to say, "acting is DOING." In other words acting is being in the moment and allowing any number of emotional reactions well up and take you over and turn you into the actual character. This may feel risky at first. The best actors do not pretend to feel something, or coach themselves to do anything while in character. What they feel is genuine, and the results can range from crying and screaming to sitting perfectly still to express an emotion. Developing a deep capacity to understand and feel the full range of human emotions and experiences is a great way to become an open, flexible acting student, the best kind of student. Give yourself permission to feel fully and strongly, and express it in ways that are physical, intelligent empathetic and real.




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