Printmaking is an art which involves the transferring of an image from a single surface like an inked plate to another such as a piece of paper, cloth, metal or timber. The art finds its power in its aesthetic value as well as its ability to be duplicated, contributing greatly to the definition of world cultures. One would find alternative printmaking methods as diverse as Indian, Asian, European, and American cultures. With each, a style has manifested itself over time, transforming into a sort of aesthetic tradition for the people.
Printmaking is the method of creating artworks by printing, commonly on paper. Except in the case of monotyping, the process is capable of producing several duplicates of the very same piece which is called a print. Every piece is not a duplicate but an original as it is not a reproduction of some other work of art and is practically referred to as an impression. Painting or drawing on the other hand, create a unique original piece of artwork. Prints are made from a single original surface area known technically as a matrix. Frequent kinds of matrices include: plates of steel, usually copper or zinc for engraving or etching; natural stone, used for lithography; chunks of timber for woodcuts, linoleum for linocuts and fabric plates for screen-printing. Yet there are many other forms. Works printed from a single plate create an edition, in modern times typically every signed and numbered to create a limited edition. Prints might likewise be printed in book form, as artist's books. A single print can be the result of a single or several techniques.
Printmaking methods could be divided into the following basic groups or classes: 1) relief printing, in which the ink passes by the authentic surface of the matrix. Relief techniques include: woodcut or woodblock as the Asian forms are usually known, wood engraving, linocut as well as metalcut; 2) intaglio, in which the ink will go beneath the original surface area of the matrix. Intaglio techniques include: engraving, etching, mezzotint, aquatint, chine-coll and drypoint; 3) planographic, in which the matrix maintains its entire surface area yet some areas are treated to be able to produce the image. Planographic methods consist of: lithography, monotyping, as well as digital methods.4) stencil, including: screen printing as well as pochoir. 5) Viscosity printing.
Other forms of printmaking techniques outside these categories include collagraphy and foil imaging. Modern printmaking technology may included like digital printers, photographic platforms and mixture of both digital processes as well as traditional processes. Many of these methods can likewise be merged. For example, Rembrandt's prints are often referred to as etchings for convenience, but very often include work in engraving as well as drypoint at the same time, and quite often don't have any etching at all.
Often color in printmaking which involves etching, screen printing, woodcut, or linocut is implemented by either using separate plates, blocks or screens or by using a reductionist technique. In multiple plate color techniques are a number of plates, screens or blocks produced, each giving a different coloration. With some printing methods like chine-coll or monotyping, printmaking artists might sometimes simply paint into the colors they want, just like a painter will and then print. The subtractive color concept is also used in offset or digital print and is present in bitmap or vectorial software in CMYK or other color spaces.
Printmaking is the method of creating artworks by printing, commonly on paper. Except in the case of monotyping, the process is capable of producing several duplicates of the very same piece which is called a print. Every piece is not a duplicate but an original as it is not a reproduction of some other work of art and is practically referred to as an impression. Painting or drawing on the other hand, create a unique original piece of artwork. Prints are made from a single original surface area known technically as a matrix. Frequent kinds of matrices include: plates of steel, usually copper or zinc for engraving or etching; natural stone, used for lithography; chunks of timber for woodcuts, linoleum for linocuts and fabric plates for screen-printing. Yet there are many other forms. Works printed from a single plate create an edition, in modern times typically every signed and numbered to create a limited edition. Prints might likewise be printed in book form, as artist's books. A single print can be the result of a single or several techniques.
Printmaking methods could be divided into the following basic groups or classes: 1) relief printing, in which the ink passes by the authentic surface of the matrix. Relief techniques include: woodcut or woodblock as the Asian forms are usually known, wood engraving, linocut as well as metalcut; 2) intaglio, in which the ink will go beneath the original surface area of the matrix. Intaglio techniques include: engraving, etching, mezzotint, aquatint, chine-coll and drypoint; 3) planographic, in which the matrix maintains its entire surface area yet some areas are treated to be able to produce the image. Planographic methods consist of: lithography, monotyping, as well as digital methods.4) stencil, including: screen printing as well as pochoir. 5) Viscosity printing.
Other forms of printmaking techniques outside these categories include collagraphy and foil imaging. Modern printmaking technology may included like digital printers, photographic platforms and mixture of both digital processes as well as traditional processes. Many of these methods can likewise be merged. For example, Rembrandt's prints are often referred to as etchings for convenience, but very often include work in engraving as well as drypoint at the same time, and quite often don't have any etching at all.
Often color in printmaking which involves etching, screen printing, woodcut, or linocut is implemented by either using separate plates, blocks or screens or by using a reductionist technique. In multiple plate color techniques are a number of plates, screens or blocks produced, each giving a different coloration. With some printing methods like chine-coll or monotyping, printmaking artists might sometimes simply paint into the colors they want, just like a painter will and then print. The subtractive color concept is also used in offset or digital print and is present in bitmap or vectorial software in CMYK or other color spaces.
About the Author:
Printmaking is definitely a wide medium in art and can be learned almost anyplace, in art institutions or from printmaking artists. Once you know basic principles, you will discover there are numerous techniques to make a really good print.
No comments:
Post a Comment